On Brexit's campaign against anti-corruption efforts (and yes, I wrote that as intended):
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Perception was kind enough to upload a case study of their work on Batman v Superman this week. That case study includes a map of the Metropolis-Gotham region as envisioned for the movies DC and WB have been making.
That map clearly does not hew to the maps of the two cities as published in the comics over the last couple of decades. Granted, the production team had the right to plant the two super-cities ten miles and a harbour apart from each other. Speaking for myself alone, I'd hoped that Byrne's Six Boroughs as originally drawn up for Metropolis in 1986, as well as the islands of Eliot Brown's 2000 map of Gotham could've made the cut.
Oh well...this is its own thing to begin with.
So there's this article on Fast Company's design section today that Todd Maffin pointed out via the CBC Fan Club's Google Plus feed. It's about the CBC's logo redesign from 1974, as engineered by the team led by one Burton Kramer. The reworking of the visual style of CBC's brand was hitting the airwaves back when I was getting settled into Regina after my father got transferred from Selkirk. Space: 1999 was also premiering on the Ceeb around the same time here in Canada. So, small wonder that, between those factors and others, I started getting hooked on typography and graphic design around that point, despite not having clue one what those things were until I got into high school and one of my arts teachers introduced me to Letraset catalogues.
Anyway. Back on point.
"Now, following the unlikely trend of republishing vintage standards manuals, a group of design-loving Canadians are trying to bring Kramer's 1974 CBC Graphic Standards Manual to Kickstarter."
The details of the Kickstarter campaign are here. CBC is interested, according to the guy working on pulling this together - a gentlebeing named Adrian Jean - but they want to know how widespread that interest is. first. I've already signed onto the pledge (despite not being sure that I'll be able to put up the money when the time comes), and I'm hopeful that interest will go well beyond the extent needed for a "limited edition" reprint. This is a piece of Canadian cultural and graphic design history we're talking about here. I want to see this in regular bookstores, in public and school libraries, far and wide, across the country.
How about it?